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Southern Illinois University
Course Syllabi

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Claude Ryan (Rion) Towery

Graduate Teaching Assistant

THEA101 – Sec. 302  THEATRE INSIGHT / Fall 2020, Spring 2021, Summer 2021

SOUTHERN ILLINOIS UNIVERSITY CARBONDALE

THEA101 – Sec. 302  THEATRE INSIGHT / Fall 2020, Spring 2021, Summer 2021

Mon.-Fri. 11:10am – 1:10pm (Online)

Zoom ID: 940 9150 6922 PW: 600751

 

NSTRUCTOR’S NAME: Claude Ryan (Rion) Towery

OFFICE LOCATION: Zoom (Same ID & PW above)

OFFICE HOURS: Wed. 2:00pm-3:00pm & Fri. 2:00pm-3:00pm (by appointment)

INSTRUCTOR’S EMAIL: claude.towery@siu.edu

THEA101 Course Supervisor: Dr. Anne Fletcher – afletch@siu.edu

 

Theatre (and online classes) in the COVID Era:

 

Theatre is a live art! That said, because of the class size and room accommodations, and most of all, for your safety, all sections of THEA 101 this spring are delivered online. Best practices for teaching and learning via ZOOM suggest that we don’t need to lose the interaction or personal connections that theatre brings. If you have ideas about how the class can be more engaging, reach out to your instructor.

 

  • ·Be safe! Be well! Wear your mask!

  • ·Pay attention to the SIU COVID-19 website (https://siu.edu/coronavirus/).

  • ·If you need any special accommodations, reach out to your instructor immediately.

 

Course Goals:

 

To fulfill the goals of the University Core Curriculum through the disciplinary study of the fine art of theatre. This course will introduce non-majors to the expressive art of theatre and will encourage students to view theatre as a life-enhancing experience that extends beyond the classroom.

 

Course Objectives:

 

The purpose of Theatre Insight is to familiarize students with the basic elements of plays and productions and to help students develop the analytical skills to think, speak and write critically about the theatre.

 

Course Aims:

 

Through the course the student will:

 

  1. Become a more informed, critical audience member

  2. Gain a basic understanding of the elements of dramatic structure and of theatrical production

  3. Learn to evaluate the artistic quality of a script and a performance

  4. Gain appreciation of how plays reflect the people and cultures that produce them

  5. Gain an understanding of the relationship of theatre to the other arts and humanities

 

Required Texts: Textbook (This is the only book you need to purchase for this class.)

 

Experiencing Theatre by Anne Fletcher & Scott R. Irelan

Available in hard copy or online at the following sources:

  • University Bookstore

  • Amazon

  • Barnes and Noble (not local store)

  • Google Books for $10 (looks like best deal, but BE CAREFUL when you check these sources; some sites do not allow you to download; you can only read online) 

 

Or, at the publisher's suggestions, any of the following (checked recently) 

 

Short Plays (All available on D2L)

  • BECOMING AMERICAN by Lynn Nottage

  • THE RIDICULOUSLY SWEET DREAM APARTMENT by Greg Adrich

  • TRIFLES by Susan Glaspell

  • THE BATHING SUITS by Kirsten Easton

 

Full-Length Plays (Available on D2L):

  • She Kills Monsters by Oui Nguyen

 

ASSIGNMENTS:

Attendance on Zoom/Participation:      40 points (2 points for every day of class for four weeks)

Discussion Boards @ 4 posts:                  30 points

1 Terms Quiz:                                              10 points

1 Final Project:                                            20 points

 

CLASS SCHEDULE:

WEEK #

Monday that begins the week

Material to be Covered (See below for more details)

Reading (Textbook, Plays, Postings on D2L) for this Week

Assignments

WEEK #1:

Fundamentals, Playwriting

 July 6 (Tuesday)

Syllabus/Class Requirements/Foundational Concepts (How to read a play; structure; genre; comedy, etc.); Playwriting; Directing

Realism vs. Non-Realism

Read from Textbook: Fundamentals:  Experiencing Theatre, pp. 1-20 (read by Fri., July 9)

Playwriting:       Experiencing Theatre,        pp. 21-37 (read by Fri., July 9)

Directing:           Experiencing Theatre,       pp. 81-86 (read by Mon., July 12)

Homework:  Read             THE RIDICULOUSLY SWEET DREAM APARTMENT (read by Wed., July 7) and THE BATHING SUITS (read by Thur., July 8)

2 Discussion Boards (to be completed no later than 10am, Mon., July 12)

WEEK #2

Directing,           Unity of Production, & Design Experts

 July 12

Unity of Production          Set Design                Costume Design               Hair & Makeup (time permitting)

Read from Textbook:   Scenic Design:   Experiencing Theatre,        pp. 38-48 (read by Thur., July 15)

Costume Design: Experiencing Theatre,        pp. 49-54 (read by Fri., July 16)

Homework: Read       TRIFLES (read by Tues., July 13); Begin reading full-length play She Kills Monsters

Terms Quiz (to be completed no later than 10am, Mon., July 19)

WEEK #3

PR/Marketing, Design Experts (cont.), Start preparing for final project on She Kills Monsters

July 19

PR/Marketing/Mission Statement                  Lighting & Sound Design

Discuss She Kills Monsters

Review foundational concepts, Unity of Production, Design Experts, and apply to final play     She Kills Monsters

Read from Textbook: Lighting & Sound: Experiencing Theatre,        pp. 54-66 (read by Thur., July 22)

Homework:  Finish reading full-length play SHE KILLS MONSTERS

2 Discussion Boards (to be completed no later than 10am, Mon., July 26)

WEEK #4

Final Project & Presentations

July 26

Discuss, work on, and present Final Project

Read: Any previous readings in your textbook (Experiencing Theatre) PowerPoints that will help with the Final Project

Final Project Presentations

 

GRADING SCALE:

 

A= 100%-94%  A-= 93%-90%

B+= 89%-87%  B= 86%-84%    B-= 83%-80%

C+= 79%-77%  C= 76%-74%    C-= 73%-70%

D+= 69%-67% D= 66%-64%   D-=63%-60%

F= 59%-0%

 

CLASS PROCEDURES:

                                                                                                                                                                  You must check Desire2Learn (D2L) frequently as updated information for this course will be posted regularly. Handouts will be posted there. Possibly (at your instructor’s discretion), some QUIZZES and other assignments must be uploaded to D2L. Your instructor will cover details in class.

The class will follow a weekly pattern:

  • Synchronous (regularly scheduled class times) ZOOM Meetings with In-Class Exercises and Discussion (ATTENDANCE REQUIRED)

  • Assigned Reading

  • Discussion Board Topics

  • There will be 1 Final Project (more detail will be provided in class and posted on D2L)

  • There will be 1 Quiz on specific units.           

 

Incompletes:

An INC is assigned when, for reasons beyond their control, students engaged in passing work are unable to complete all class assignments. An INC must be changed to a completed grade within a time period designated by the instructor but not to exceed one year from the close of the term in which the course was taken, or graduation, whichever occurs first. Should the student fail to complete the course within the time period designated, not to exceed one year, or graduation, whichever comes first, the incomplete will be converted to a grade of F and the grade will be computed in the student's grade point average. Students should not reregister for courses in which an INC has been assigned with the intent of changing the INC grade. Re-registration will not prevent the INC from being changed to an F.

 

Extra Credit:

Your instructor may offer Extra Credit opportunities. Extra Credit opportunities occur throughout the semester and will be announced as they become available.  Extra Credit opportunities occur throughout the semester and will be announced and posted on D2L as they become available. One regular extra credit opportunity will be attendance at online Big Muddy Shorts, short plays produced by playwriting students each month.

 

Student Athletes and other Extra-Curricular Activities- If/as activities continue/resume, please speak with your instructor immediately.

 

Academic Dishonesty Clause:

 

Academic dishonesty in any form on any assignment, test, quiz, exam or project will not be tolerated. Any evidence of academic dishonesty will result in a report to the 101 course supervisor, to your advisor or Dept. Chair, and your coach if you are an athlete. You will receive no points for that assignment, test, quiz, exam or project and may face judicial action and possibly even expulsion from SIUC.

 

Academic dishonesty includes:

  • Plagiarism: undocumented use of written material by another author or source (web, journal, newspaper, video, etc.) including a THEA 101 student’s Performance Response Essay. These are routinely compared across sections.

  • Preparing work for another student

  • Cheating on quizzes or tests or exams

  • Falsifying or manufacturing scientific or educational data-like fake bibliographies, footnotes, etc.

  • Presenting false information to a university official

  • Aiding or abetting anyone who is attempting the above

  • Concealing knowledge of same said practices

  • A violation of SIU code

 

Communicating with Your Instructor:

 

There is no voicemail on the telephone in the Graduate Student Office, so email is best for communicating with your instructor. Be timely (For example, do not send an email right before class and expect your instructor to read it before class meets). Properly address your email (Dear Mr. or Ms.) and SIGN YOUR NAME. Write in complete sentences. Organize your thoughts.

Example E-mail:

 

Dear Mr./Ms.                                            ,

 

I am writing to you concerning a question I have about (fill in the blank). My question is (fill in the blank).

This question is (urgent, not urgent).

 

Thank you,

First-Name Last-Name

 

Pay attention to your instructor’s Office Hours, stated on this syllabus

THEA103 C – Sec. 001  BEGINNING JAZZ DANCE     Spring 2021

SOUTHERN ILLINOIS UNIVERSITY CARBONDALE

THEA103 C – Sec. 001  BEGINNING JAZZ DANCE / Spring 2021

Tues.-Thurs. 11:10am – 3:30 - 5:00pm (Online)

Zoom ID: 940 9150 6922 PW: 600751

INSTRUCTOR’S NAME: Rion Towery

OFFICE LOCATION: Zoom – ID: 931 4340 0253 PW: 040992

OFFICE HOURS Wed. 12:00pm-2:00pm & Fri. 2:00pm-3:00pm (by appointment)

INSTRUCTOR’S EMAIL: claude.towery@siu.edu

PHONE: TBA

Covid-19 Guidelines

  • Please do not come to class if you are not feeling well and have symptoms, awaiting results of a Covid-19 test, or have Covid-19. These absences will be excused with a signed doctor’s note. In the event this does occur, please email the instructor as soon as possible. Please also refer to the university guidelines on Covid-19 safety at the following link. https://siu.edu/coronavirus/. When in class please follow all social distancing and mask guidelines and protocols. At the end of each class, students will be required to disinfect any equipment that was used during that day.

 

OBJECTIVE

  • To begin acquaintance with the elements of jazz dance technique at the basic level, with an application of these element to classic and contemporary musical theatre repertory and performance.

 

COURSE GOALS

Students will achieve a thorough understanding of the following concepts:

  • Jazz dance terminology

  • Ability to understand and utilize proper body alignment, body positions and the relation of breath to movement within the jazz dance idiom.

  • Execution of basic level jazz dance technique with agility, musicality, and a deepened understanding of style and total physical integration.

  • Demonstration of mastery of basic level jazz dance technique to facilitate continued study in this and other dance forms.

 

UNITS

The following will be included in every class meeting:

  • Warm-up based on concepts found in Luigi, Simonson, and Joel Hall jazz dance techniques.

  • Center barre exercised formulated for jazz dance technique based on ballet.

  • Jazz dance terminology used commonly which is a combination of modern, jazz, and ballet terminology.

  • Locomotor movement and/or progressions.

  • Combinations to synthesize both old and new movement.

 

GRADING SYSTEM AND SCALE          

Points system

  • Attendance: 30 points (1 point for each day of class)

  • Progression in execution of Technique: 15 points (1 point for each week of class)

  • Participation: 15 points (1point for each week of class)

  • Warm-Up Assignment: 15 points

  • Final Exam: 25 points

                                               Total Points Possible: 100

 

ATTENDANCE

  • THEA 103C is a studio-based course. Attendance is MANDATORY. There is no ‘excused absence’ policy, unless a doctor’s note is present under unavoidable circumstances (i.e., COVID-19). You must attend if you want to succeed. There are no makeup classes for the course. Please, be on time. Since THEA 103C is a two-credit course, 2 tardies = 1 absence. Be in dance attire on the floor at the beginning of class or you will be marked tardy. Be aware, this class is graded on a point scale. There are 30 class days for this course, this semester. For every class you are present you will receive one point, and each class you are absent will result in the loss of a point. Meaning, the more classes you are present, the better your grade. A total of 30 points are possible. The more you are absent the lower your grade becomes. Two unexcused absences will result in the lowering of your final grade by a FULL letter grade, and so on. In the event of an extended illness or injury, you must remain proactive and submit appropriate documentation upon your return to class. I will not accept this information at the end of the semester; it must be dated and cover every date you have missed. If there is a campus or departmental activity you must attend for a class or organization, let me know in advance and we can see where the absences will fall and plan accordingly. Please, let me know if you need to leave early. Students who leave early, without permission, will be marked absent for that day. If you have a family emergency or prolonged illness, you may wish to contact Transitional Programs (618) 536-2338. This office will notify all of you course instructors and save you unnecessary worry.

 

PROGRESSION

  • Progression will be assessed by a combination of instructor observation and your individual ability to demonstrate jazz dance technique, as well as correct jazz dance terminology/vocabulary. If asked to demonstrate a step, you must know the proper name for it. If you are asked to write about a performance, you must demonstrate this knowledge in describing the movement. There are a total of 15 points for this section. 1 point for each week of class. A lack of growth in your ability to demonstrate and/or a lack of knowledge regarding terminology, will result in a partial or full loss of that point.

 

PARTICIPATION

  • To achieve the best grade you can earn, you must be attentive, focused, respect the dance space, and be eager to learn. Listen to all corrections (even those given to other students) and apply them to your body. Ask questions. WEAR APPROPRIATE DANCE

ATTIRE AND SHOES!!! DRESS CODE: Attire should be form-fitting, or at least semi-form-fitting, so you and the instructor can see the lines of the body to evaluate form and correct technique. Do not wear any loose fabric that hinders you or the instructor from observation. Leotards, tights, jazz pants and JAZZ SHOES are the norm and are preferred. In case of extreme cold in the space, white or black cotton socks may be worn during warm-up segments of class ONLY. Once we begin to move in space, students will get a chance to put on shoes. Hair should be up and off the neck before class begins. Baggy shorts, tee shirts, and sweatpants are not acceptable. The short shorts (a.k.a booty shorts) are acceptable but only if your derriere is completely covered. There are a total of 15 points for this section. 1 point for each week of class. A lack of participation or incorrect dance attire will result in a partial or full loss of that point.

 

WARM-UP ASSIGNMENT

  • Each student will need to prepare a 30-minute warm-up for a class day they sign up for near the end of the semester. After observing the instructor’s warm-ups throughout the semester, students should be able to grasp fundamental knowledge of how a proper warm-up should be prepared and administered. Music selections for the warm-up should also be prepared ahead of time and in an appropriate fashion. Music choices should reflect the energy level, style, and tempo, associated with a successful jazz warm-up. Attention must be given to the entire body to make sure every student is completely warmed up from head to toe. Pay special attention to the lower body and include ankle/foot work. This is a one-time assignment worth a total of 15 points. The more successful and encompassing the warm-up, the better the grade.

 

FINAL EXAM

  • The final exam will consist of performing a choreographed piece the instructor has designated and taught throughout the course of the semester. Grades will be given based on growth, sustainability, technique, musicality, and expression. The final exam is worth 25 points.

 

WATER BREAKS

  • As a dancer and an instructor, I realize the importance of hydration during class. HOWEVER, I will allow one break for water at ONE point in the class. The constant leaving of class to retrieve a water bottle is no longer acceptable. BRING A WATER BOTTLE TO CLASS! The only beverage allowed in the dance space will be water.

 

IMPORTANT DATES – SPRING 2021

  • Martin Luther King, Jr.’s Birthday (campus holiday, no class) – Monday, January 18, 2021

  • 2021 Spring Semester Classes Begin – Tuesday, January 19, 2021

  • Last day to add full-term course (without Dean’s signature) – Sunday, January 24, 2021

  • Last day to drop a full-term course and be eligible for a refund – Sunday, January 31, 2021

  • Last day to drop a full-term course w/grade, no refund – Sunday, March 28, 2021

  • Spring Break – Not offered this semester

  • Honors Day – TBD

  • Final Examinations – Monday, May 3 through Friday, May 7, 2021

  • Commencement – Saturday, May 8, 2021

 

WITHDRAWAL POLICY

Undergraduate Students only: who officially register for a session must officially withdraw from that registration in a timely manner to avoid charges as well as receiving a failing grade for those classes. An official withdrawal must be initiated by the student, or on behalf of the student through the academic unit, and be processed by the Registrar’s office. For the proper procedures to follow when dropping courses and when withdrawing from SIU visit: http://registrar.siu.edu/students/withdraw.html

INCOMPLETE POLICY

Undergraduate only An INC grade is given when, for reasons beyond their control, students engaged in passing work are unable to complete all class assignments for the course. An INC must be changed to a completed grade within one full semester (undergraduates), and one full year (graduate students), from the close of the term in which the course was taken or graduation, whichever occurs first. Should the student fail to complete the remaining course requirements within the time period designated, the incomplete will be converted to a grade of F and such grade will be computed in the student's grade point average. For more information visit: http://registrar.siu.edu/grades/incomplete.html

REPEAT POLICY

An undergraduate student may, for the purpose of raising a grade, enroll in a course for credit more than once. For students receiving a letter grade of A, B, C, D, or F, the course repetition must occur at Southern Illinois University Carbondale. Effective for courses taken Summer 2013 or later, only the most recent (last) grade will be calculated in the overall GPA and count toward hours earned. This policy will be applied to all transferrable credit in that only the last grade will be used to calculate grade point average. Only those courses taken at the same institution are considered repeats under this policy. See full policy at http://registrar.siu.edu/students/repeatclasses.html

GRADUATE POLICIES

Graduate policies often vary from Undergraduate policies. To view the applicable policies for graduate students, please refer to the graduate catalog at: http://gradschool.siu.edu/aboutus/grad- catalog/index.html

DISABILITY POLICY

Disability Support Services provides the required academic and programmatic support services to students with permanent and temporary disabilities. DSS provides centralized coordination and referral services. To utilize DSS services, students must contact DSS to open cases. The process involves interviews, reviews of student supplied documentation, and completion of Disability Accommodation Agreements. http://disabilityservices.siu.edu/

PLAGIARISM

Student Conduct Code: http://srr.siu.edu/student_conduct_code/ Guidelines for Faculty http://pvcaa.siu.edu/_common/documents/Plagiarism/Guide% 20to%20Preventing%20Plagiarism.pdf

SAFETY AWARENESS FACTS AND EDUCATION

Title IX makes it clear that violence and harassment based on sex and gender is a Civil Rights offense subject to the same kinds of accountability and the same kinds of support applied to offenses against other protected categories such as race, national origin, etc. If you or someone you know has been harassed or assaulted, you can find the appropriate resources here: http://safe.siu.edu

SALUKI CARES

The purpose of Saluki Cares is to develop, facilitate and coordinate a university-wide program of care and support for students in any type of distress— physical, emotional, financial, or personal. By working closely with faculty, staff, students and their families, SIU will continue to display a culture of care and demonstrate to our students and their families that they are an important part of the community. For Information on Saluki Cares: call (618) 453-1492, email siucares@siu.edu, or http://salukicares.siu.edu/index.html

 

SIU's EARLY WARNING INTERVENTION PROGRAM (EWIP)

Students enrolled in courses participating in SIU’s Early Warning Intervention Program might be contacted by University staff during a semester. More information can be found at the Core Curriculum’s Overview webpage: http://corecurriculum.siu.edu/program-overview/

EMERGENCY PROCEDURES

We ask that you become familiar with Emergency Preparedness @ SIU. Emergency response information is available on posters in buildings on campus, on the Emergency Preparedness @ SIU website, and though text and email alerts. To register for alerts, visit: http://emergency.siu.edu/

INCLUSIVE EXCELLENCE

SIU contains people from all walks of life, from many different cultures and sub-cultures, and representing all strata of society, nationalities, ethnicities, lifestyles, and affiliations. Learning from and working with people who differ is an important part of education as well an essential preparation for any career. For more information visit: http://www.inclusiveexcellence.siu.edu/

LEARNING AND SUPPORT SERVICES

Help is within reach. Learning support services offers free tutoring on campus and math labs. To find more information please visit the Center for Learning and Support Services website: Tutoring: http://tutoring.siu.edu/ Math Labs: http://math.siu.edu/courses/course-help.php

WRITING CENTER

The Writing Center offers free tutoring services to all SIU students and faculty. To find a Center or Schedule an appointment please visit: http://write.siu.edu/

AFFIRMATIVE ACTION & EQUAL OPPORTUNITY

Our office's main focus is to ensure that the university complies with federal and state equity policies and handles reporting and investigating of discrimination cases. For more information visit: http://diversity.siu.edu/#

MILITARY COMMUNITY

There are complexities of being a member of the military community and also a student. Drill schedules, calls to active duty, complications with GI Bill disbursement, and other unforeseen military and veteran related developments can complicate academic life. If you are a member of the military community and in need of accommodations, please visit Veterans Services at http://veterans.siu.edu/

BUILDING EMERGENCY RESPONSE PROTOCOLS FOR SYLLABUS:

University’s Emergency Procedure Clause: Southern Illinois University Carbondale is committed to providing a safe and healthy environment for study and work. Because some health and safety circumstances are beyond our control, we ask that you become familiar with the SIUC Emergency Response Plan and Building Emergency Response Team (BERT) program. Emergency response information is available on posters in buildings on campus, available on BERT’s website at www.bert.siu.edu, Department of Public Safety’s website www.dps.siu.edu (disaster drop down) and in the Emergency Response Guideline pamphlet. Know how to respond to each type of emergency. Instructors will provide guidance and direction to students in the classroom in the event of an emergency affecting your location. It is important that you follow these instructions and stay with your instructor during an evacuation or sheltering emergency. The Building Emergency Response Team will provide assistance to your instructor in evacuating the building or sheltering within the facility. Students with a Disability: Instructors and students in the class will work together as a team to assist students with a disability safely out of the building. Students with a disability will stay with the instructor and communicate with the instructor what is the safest way to assist them. Tornado: During the spring semester we have a Storm Drill. Pick up your belongings and your instructor will lead you to a safe area of the basement. No one will be allowed to stay upstairs. Stay away from windows. The drill should not last more than 10 minutes. You must stay with your instructor so he/she can take roll. Students need to be quiet in the basement as the BERT members are listening to emergency instructions on handheld radios and cannot hear well in the basement. Fire: During the fall semester we have a Fire Drill. Pick up your belongings and your instructor will lead you to either the North or South parking lot depending on what part of the building your class is in. You must stay with your instructor so he/she can take roll. As soon as the building is all clear, you will be allowed to return to class. These drills are to train instructors and the Building Emergency Response Team to get everyone to a safe place during an emergency. Bomb Threat: If someone calls in a bomb threat, class will be suspended and students will be asked to pick up their belongings, evacuate the building and leave the premises. Do not leave anything that is yours behind. We will not allow anyone back into the building until the police and bomb squad give us an all clear. DO NOT USE YOUR CELL PHONES. Some bombs are triggered by a cell phone signal. Shooter in the Building: If it is safe to leave, move to a safe area far from the building away from where the shooter is located. If anyone has any information about the shooter, please contact the police after they have gone someplace safe. Put in your cell phone the SIU Dept. of Public Safety 618-453-3771. If there is a shooter on campus you can call this number to report it. There will be a lot of calls going to 911 and the SIU Police will get your call using 618-453-3771. It is good to have this number listed in your cell phone for all emergencies here on campus.

If it is not safe to leave, go into a room, lock the door and turn out the lights. Everyone should spread out and not huddle together as a group. Don't stand in front of the door or in line of fire with the door. Students' chair and desks should be piled in front of the glass and door as a barricade and the teacher's desk, podium and anything movable can be pushed against the door. This is intended to slow down any attempts to enter the classroom. If it looks like the shooter is persistent and able to enter, make a lot of noise and have the students use everything in their backpacks to throw at the shooter to distract him. Silence all cell phones after one person in the room calls the police and informs them of their location and how many people are in the room. Be quiet and wait for the police to arrive. The police are looking for one or more shooters, and they have no way of knowing if the shooter is in the room people are hiding in. For this reason, when the police enter the room, no one should have anything in his/her hands and each person MUST raise his/her hands above his/her head.

Earthquake: In the event of an earthquake, you are advised to take cover quickly under heavy furniture or crouch near an interior wall or corner and cover your head to avoid falling debris. Outside the building are trees and power lines and debris from the building itself that you will need to stay away from. In the building, large open areas like auditoriums are the most dangerous. Do not try to escape on a stairway or elevator. Do not hide under a stairway. We do not recommend that you stand in a doorway because the door could shut from the vibrations and crush your fingers trapping you there.

Radiation Emergency: A radiation emergency could come about due to a complete meltdown of a nuclear reactor core to our west, a catastrophic leak of material from nuclear weapons manufacturing facilities to our south, or as a result of a nuclear weapon being detonated in or around St. Louis, MO, or along the Ohio River valley between Paducah KY and Evansville IN. Regardless of the source of the radiation, what you need to do in response is the same: • Get inside, stay inside and Stay tuned - Close and lock all windows and doors. Go to the basement or the middle of the building. Radioactive material settles on the outside of buildings; stay as far away from the walls and roof of the building as you can. If possible, turn off fans, air conditioners, and forced-air heating units that bring air in from the outside. Close fireplace dampers. • Bring pets inside with you, if you can. Bring in any supplies from outside that your pets might need for at least 24 hours. • If you were outside when it started, carefully remove your outer layer of clothing before entering the building, if you can. Radioactive material can settle on your clothing and your body, like dust or mud. Once inside, wash the parts of your body that were uncovered when you were outside. Then put-on clean clothing, if you can. This will help limit your radiation exposure and keep radioactive material from spreading. • Cover your mouth and nose with a mask, cloth, or towel if you must be outside and cannot get inside immediately. • Vehicles do not provide good protection from radioactive material. • Schools, daycares, hospitals, nursing homes, and other places have emergency plans in place to keep people safe at the facility. • Providing shelter to someone who was outside during a radiation emergency can save their life without endangering your own. They will have to remove outer layer of clothes before they enter the building and wash the parts of their body that were uncovered. Give the clean clothing or coverings that you have. This will help limit their radiation exposure and keep radioactive material from spreading.

Hazardous Materials:

While there are many possible scenarios where hazardous materials spill, explode, are released into the air, and/or burn, a train derailment is the most likely cause of a serious incident. Regardless of how the incident begins, the following guidance should be followed. Listen to local radio or television stations for detailed information and instructions. Follow the instructions carefully. You should stay away from the area to minimize the risk of contamination. Remember that some toxic chemicals are odorless.

• If you are asked to evacuate, do so immediately. Take pre-assembled disaster supplies. Help your neighbors who may require special assistance--infants, elderly people and people with access and functional needs. Follow evacuation routes, temporary shelters, and procedures. Don’t leave your pets. If you evacuate take them with you.

• If you are caught outside o Stay upstream, uphill, and upwind! Try to go at least one-half mile from the danger area. Move away from the accident scene and help keep others away. Do not walk into or touch any spilled liquids, airborne mists, or condensed solid chemical deposits. Try not to inhale gases, fumes and smoke. If possible, cover mouth with a cloth while leaving the area.  Stay away from accident victims until the hazardous material has been identified.

• If you are in a motor vehicle, Stop and seek shelter in a permanent building. If you must remain in your car Keep car windows and vents closed Shut off the air conditioner and heater. If you are requested to stay indoors. Bring pets inside. Close and lock all exterior doors and windows. Close vents, fireplace dampers, and as many interior doors as possible. Turn off air conditioners and ventilation systems. Seal gaps under doorways and windows with wet towels or plastic sheeting and duct tape. Seal gaps around window and air conditioning units, bathroom and kitchen exhaust fans, and stove and dryer vents with duct tape and plastic sheeting, wax paper or aluminum wrap. Use material to fill cracks and holes in the room, such as those around pipes. o If gas or vapors could have entered the building, take shallow breaths through a cloth or a towel. Avoid eating or drinking any food or water that may be contaminated.

Rave Mobile Safety Alert System:

We recommend that you sign up for the Rave Mobile Safety Alert System. It is a system to alert you through emergency text messages on your cell phone and emails for emergencies on campus, weather reports and emergency school closures. You have to sign up for Rave Mobile Safety Alert System. Go to Saluki Net, go to my records tab, under SIUC Personal Records, click on View My SIUC Student Records, Under Main Menu click on Personal Information, click on View and Update Addresses and Phones, in the middle of the page click [Update Addresses and Phones], under phones click Primary: This will take you to Update Addresses and Phones – Update/Insert, under primary phone number for this address put in your cell phone and submit. For more information, visit dps.siu.edu, contact SalukiTech at 453-5155 or salukitech@siu.edu.

CPR/Defibrillator and First Aid Class:

If you would like to take a CPR/Defibrillator and/or First Aid class, contact LaVon Donley Cornett, lavong@siu.edu or call 453-7473. Women's Self Defense Classes are offered to female student’s faculty and staff by the Department of SIU Public Safety. For more information call the Department of SIU Public Safety 453-3771.

ADDITIONAL RESOURCES:
ADVISEMENT: http://advisement.siu.edu/
SIU ONLINE: http://online.siu.edu/
SALUKINET: https://salukinet.siu.edu/
MORRIS LIBRARY HOURS: http://www.lib.siu.edu/

THEA424-001  AUDITION TECHNIQUE _ Fall 2020

SOUTHERN ILLINOIS UNIVERSITY CARBONDALE

THEA424-001  AUDITION TECHNIQUE / FALL 2020

Thurs. 12:35 - 1:50pm (Online)

Zoom ID: 98083689756 PW: 692086

Credit Hours: 3

 

Catalogue Description: “Methods of audition for theater and musical theater.  The course covers audition techniques for open calls, cold reading/singing, improvisation, interviews, as well as the development of an audition portfolio and the preparation of headshots and resumes.”

 

Course Adjustments Due to Pandemic: Due to ongoing health concerns caused by the Covid-19 pandemic, this course will be adjusted

 

Prerequisites: THEA 217 and/or Permission of Instructor

 

Texts: Students are required to provide scripts and piano scores for all audition pieces performed in class.  When available, all scripts and scores should be acting editions and ordered from the appropriate licensing agency.

Time/Location:

Class Time:                                         

     Thursdays-12:35-1:50 pm 

  Location:

     ZOOM (ID: 98083689756 PW: 692086)                             

  Instructor:

     Claude Ryan Towery                     

  Office Hours: Zoom - 2:00-3:00 pm M/F

Or email to make an appointment

claude.towery@siu.edu                                                                                                                                                            

            

Required Materials and Fees:

  1. Headshot and Resume - All students completing THEA 424 must provide a professional, 8x10 headshot and a one page, acting resume.

  2. Portfolio or Notebook – This notebook/portfolio will be used to hold class handouts, resumes and headshots and a collection of appropriate audition selections.

  3. Audition Attendance - All students will be required to attend a major, professional audition* – either in person or via online – and will be responsible for fees incurred including travel, lodging and audition fees.

           

Course Objective

to provide students specific techniques for approaching a variety of professional, audition situations. 

 

SPECIAL NOTE:  Focus for Fall 2020 will be on auditioning via self-tape submissions.

 

Course Content

Course will consist of brief lectures, discussions, explorations and exercises, written assignments, and evaluated practice audition performances.

 

Course Outcomes

Students successfully completing this course must be able to:

 

  • Demonstrate, through juried practice auditions, an ability to perform effectively in a variety of audition settings.

 

  • Demonstrate, through the completion of an audition portfolio, the ability to create a “log-line” and research, develop and maintain an active repertoire of audition materials appropriate to showcase the actor’s strengths and skills.

 

  • Demonstrate, through the completion of a Self-tape, the ability to create and organize the necessary materials needed for online auditions. It is important to be prepared for the changes in our industry, brought on by COVID-19. In person auditions are rapidly becoming a thing of the past.

 

  • Demonstrate, through the completion of an audition portfolio, the ability to choose an effective headshot and create an effective one-page, acting resume.

 

  • Demonstrate, through juried practice interviews, the ability to present themselves as professional and skilled artists/employees.

 

  • Demonstrate, through participation in a professional audition, the ability to research, apply for and complete a professional audition either in person or by submission.

 

Class Requirements

Students successfully completing Beginning Acting must:

Attend all class meetings, via Zoom. This is a participatory class and your presence at every class meeting is required.  Each unexcused absence from class will result in a 1.5 point deduction from the final grade.  Each late arrival to class will result in a .75 point deduction from the final grade.  Additional Note:

  •  An excused absence is an illness or personal emergency for which the student can provide documented proof, or the student has reported through the university’s Transition Services program. [Contact: 618-453-7041 or email withdraw@siu.edu or consult the website: http://registrar.siu.edu/students/attendance.html#other for more information on Transition Services.]

  1. Actively participate in class discussions, exercises, activities and practice auditions.

  2. Perform a series of graded and/or juried practice auditions and interviews and a final audition interview, which will be considered a final exam.  Auditions will include, but are not necessarily limited to:

    • 90 second Open Call audition  (SETC, MWTA, etc.)  - Self Taped

    • 90 second combined audition two contrasting monologues – Self Taped

    • 2-3 minute contemporary/classical monologues  - Self Taped

    • A full song audition – self tape to live or recorded accompaniment

    • A cold reading – live and taped via Zoom

    • An interview – live and taped via Zoom

  3. Attend or submit a self-taped video to at least one (1) professional audition.  The Kentucky Theater Audition (Nov. 23-24, 2019) is the SETC screening audition for the state of Illinois.  The Deadline to apply is Nov.6. It is recommended that all students enrolled in THEA 424 use this screening audition to fulfill this requirement.  A student may, however, select another professional audition venue.  This alternative must be pre-approved by the instructor and must occur during the semester the student is enrolled in THEA 424.

  4. Attend at least one Department of Theater audition during the semester (see schedule).

  5. Research and develop an audition portfolio which includes a professional headshot and resume, interview outlines/narratives, and the following minimum audition pieces:

    • Eight (8) contrasting short (35-90 seconds) monologues

    • Four (4) contemporary contrasting long (2-5 minutes) monologues

    • 4 (4) contrasting classical monologues at least two (2) of which are in verse

    • Four (4) contrasting songs, one of which must be from a non Musical Theater source

 

Creating your Daily Class, Practice and Self-tape Space

 

Attend or submit a self-taped video to at least one (1) professional audition.  The Kentucky Theater Audition (Nov. 23-24, 2019) is the SETC screening audition for the state of Illinois.  The Deadline to apply is Nov.6. It is strongly recommended that all students enrolled in THEA 424 use this screening audition to fulfill this requirement, because you will receive a response from at least 3 outside adjudicators and you can also be passed on for a spot at the Southeastern Theater Conference Spring Professional Auditions.  A student may, however, select another professional audition venue.  This alternative must be pre-approved by the instructor and should if possible, occur during the semester the student is enrolled in THEA 424.

 

GRADING POLICY

Portfolio                           20 %

Headshot and Resume   15 %

Selections                          5 %

Practice Auditions           50 %

Professional Audition      10 %   

Final Audition                   20 %

Total            100 %

 

NOTE:  On each assignment, in addition to being given graded evaluations, all actors will be ranked in comparison to the other actors in the class.

 

To avoid penalties, all assignments MUST be presented on the scheduled dates. Make-up dates for performances or performances will only be allowed for documented, excused absences, and will be made at the discretion of the instructor.

           

Final Grades will be awarded based on total points earned: A=100-95%: A-= 94-100% of total points; B+=89-88% of total points, B=87-83% of total points, B-=82-80% of total points etc. For more information on grading see pages 27 of the SIUC 2017-18 Undergraduate Catalog. 

Please Note this new information from that catalog: “Effective with the Summer 2017 term, the standard letter grading system is being modified to allow the use of plus/minus grading. In addition to A, B, C, D, and F, the following are the allowable plus/minus grades with their grade points per hour: A- (3.667), B+ (3.333), B- (2.667), C+ (2.333),C- (1.667), and D+ (1.333).”

Syllabus Addendum:  Statement on Physical Contact in Performance Classes

 

“In performance-oriented classroom situations, it may sometimes be necessary for the instructor to interact physically with students or for students to interact physically with one another.  This is part of the learning process, and any contact is intended to be professional and clinical in nature.  If at any time a student is uncomfortable with the idea or the practice of that physical contact, the student should voice their concern and the need for privacy will be immediately respected.”

 

For Further information regarding university policies regarding appropriate/inappropriate physical contact please consult the brochure, “Sexual Harassment Policy and Overview of Compliance Procedure” – available from Human Resources or contact a Human Resources advisor at 536-3369 or 453-6671.

THEA 217 - SEC.002     BEGINNING ACTING     Spring 2022

Tues./Thurs. 12:35pm-1:50pm      SPRING 2022

COMM 1045 (Christian H. Moe Laboratory Theater)

Class via Zoom: Zoom – ID: 975 7893 1354 PW: 041417

 

 

INSTRUCTOR’S NAME: Claude Rion Towery

OFFICE LOCATION: Zoom – ID: 975 7893 1354 PW: 041417 (In-person meetings also available)

OFFICE HOURS: Wed. 2:00pm-4:00pm & Fri. 2:00pm-3:00pm (by appointment)

INSTRUCTOR’S EMAIL: claude.towery@siu.edu

 

Theatre (in-person & online classes) in the COVID Era:

 

  • According to SIU’s COVID-19 safety protocols, “students and employees must be fully vaccinated or submit to testing at least once a week”.

  • Wearing a mask and/or face shield at all times.

  • Pay attention to the SIU COVID-19 website (https://siu.edu/coronavirus/).

  • If you need any special accommodations, reach out to your instructor immediately.

 

Required Texts:

 

A Practical Handbook For The Actor by Bruder, Melissa.

New York: Random House, 1986

IBSN: 978-0-394-74412-4

IBSN: 0-394-74412-8

Available in hard copy or online at the following sources:

  • University Bookstore

  • Amazon

  • Barnes and Noble (online)

 

Other Readings/Short Plays (All available on D2L)

  • DOG SEES GOD: Confessions of a Teenage Blockhead – by Bert V. Royal

  • HOOTERS – by Ted Tally

  • PROOF – by David Auburn

  • The Flick – by Annie Baker

  • The Ridiculously Sweet Dream Apartment – by Greg Aldrich

  • SHE KILLS MONSTERS – by Qui Nguyen

 

Course Description:

 

“Preparing the actor’s instrument through basic acting technique; concentration/relaxation exercises; improvisation. The course objective is the discovery and development of the actor’s inner resources. Contemporary American plays are studied from the actor’s point of view.”

 

Course Objectives:

 

To promote the discovery and development of the actor’s skills in analysis, imagination, and performance.

 

Course Content:

 

This course will consist of readings, discussions, exercises, supervised rehearsals, and performances utilizing and exploring Constantine Stanislavski’s Method of Physical Action, as well as other acting methods and techniques.

 

Course Outcomes:

 

Students successfully completing this course must be able to:

 

  • Demonstrate, through preparation and performance, the ability to effectively analyze, prepare, and perform scenes from dramatic texts by creating believable and fully realized characters through the use of strong and playable objectives, actions, and tactics.

 

  • Demonstrate, through a written midterm exam, written character objective analysis, and through application in preparations and performance, an understanding of the key terms, skills and tools, and basic concepts of a Stanislavski-based, realistic acting method.

 

  • Demonstrate, though a written midterm exam and through application in preparation and performance, an understanding of the principles of theatrical staging, including the use of stage direction, stage pictures, focus, blocking, and gesture.

 

  • Demonstrate, through work in exercises, improvisations, and partnered scenes, a clear understanding of the collaborative nature of theatre and an ability to work as a part of an acting ensemble.

 

  • Demonstrate, through a written performance critique, the ability to critically analyze and evaluate a performance by applying terms and concepts acquired in class.

 

 

Class Requirements:

 

In order to complete this course, students must:

 

  1. Attend all class meetings

    1. This is a participatory class and your presence at every class meeting is required!

    2. Each unexcused absence will result in a 1.5-point deduction from the final grade.

    3. Each late arrival to class will result in a .75-point deduction from the final grade.

    4. In addition, grades for partnered performances will be greatly affected by a student’s lack of responsibility to their scene partner during class time and during rehearsals scheduled for time outside of the class.

      1. Note: An excused absence is an illness or personal emergency for which the student can provide official documented proof, or the student has reported through the University’s Health/Transition Services program.

 

  1. Actively participate

    1. This includes participating in class discussions, exercise, activities, and projects.

 

  1. Complete Successfully

    1. A written midterm and final exam covering the terms and concepts presented in class.

 

  1. Attend a Theatrical Production

    1. Everyone in this class must attend the SIU School of Theater & Dance’s production of Lucky Stiff and/or The Curious Case of Agatha Christie and write a concise critique of an actor’s performance. This critique should demonstrate an ability to apply the terms and concepts studied in class.

 

For example: Use of the actor’s body, the use of the actor’s voice, and the use of the actor’s imagination (given circumstances, obstacles,  “as-if,” character development, objectives and tactics, etc.)

 

  1. Acting Scenes/Performances

    1. Each student must perform in a number acting scenes (the number of scenes can vary), one of which will be considered a midterm and one a final performance exam. See “Final Grade Breakdown” below for more information.

 

  1. Rehearsal Logs

    1. Each student is responsible of keeping a rehearsal log for all partnered scene performance assignments.

 

 

FINAL GRADE BREAKDOWN:

 

  • Participation/Exercises (1pt per week)                            15 pts

 

  • Written Critique for Lucky Stiff or

     The Curious Case of Agatha Christie                               10 pts

 

  • Midterm Exam (terms and concepts)                               10 pts

 

  • Performances:

    •  Introductory Monologue                                            10 pts

    • Partner Scene #1 (midterm performance)                 15 pts

    • Partner Scene #2                                                       15 pts

    • Audition Monologue (final exam)                               25 pts

 

TOTAL:                                                                                 100 pts

 

 

Performance Projects Grading Criteria:

 

            F = Failure to attend class on date performance project is evaluated; complete lack of

                  preparation: lines unlearned, scene not staged, analyzed or rehearsed; failure of

                  responsibility to your scene partner.

 

            D = Inadequate preparation; incomplete rehearsal logs (if required) and analysis form (if

                   required); non-specific staging, physical, vocal or tactic choices; inadequate

                   memorization of lines; lack of responsibility to your scene partner.

 

            C = Evidence of preparation; scene analyzed, forms completed adequately, scenes

                   memorized and basically staged; sporadic attendance to rehearsals; complete, but non-

                   specific rehearsal logs (if required).

 

            B = Complete and specific rehearsal logs (if required) detailing a progression of

                   development; intelligent and appropriate (in terms of the play) character and scene

                   analysis; believable, honest, characterization; clear actions, objectives and tactic

                   changes; effective vocal and physical choices; clear application of learned skills/tools;

                   commitment to scene partner and the scene performance.

 

            A = Same work as “B” plus un-obvious character choices (risk taking); clear and varied vocal

                   choices; solid command of physical movement; varied and interesting tactic changes;

                   successful application of learned skills/tools; outstanding commitment to scene

                   partner and to the scene performance.

 

            To avoid penalties, all assignments and performances MUST be presented on the

            scheduled dates. Written assignments will be lowered one letter grade for every calendar

            day late. Make-up dates for performances will only be allowed for documented, excused

            absences.

 

GRADING SCALE:

 

A= 100-94       A-= 93-90

B+= 89-87       B= 86-84         B-= 83-80

C+= 79-77       C= 76-74         C-= 73-70

D+= 69-67       D= 66-64         D-= 63-60

F= 59-0

 

Academic Dishonesty Clause:

 

  • Academic dishonesty in any form on any assignment, test, quiz, exam or project will not be tolerated. Any evidence of academic dishonesty will result in a report to the 101 course supervisor, to your advisor or Dept. Chair, and your coach if you are an athlete. You will receive no points for that assignment, test, quiz, exam or project and may face judicial action and possibly even expulsion from SIUC.

 

Academic dishonesty includes:

  • Plagiarism: undocumented use of written material by another author or source (web, journal, newspaper, video, etc.) including a THEA 101 student’s Performance Response Essay. These are routinely compared across sections.

  • Preparing work for another student

  • Cheating on quizzes or tests or exams

  • Falsifying or manufacturing scientific or educational data-like fake bibliographies, footnotes, etc.

  • Presenting false information to a university official

  • Aiding or abetting anyone who is attempting the above

  • Concealing knowledge of same said practices

  • A violation of SIU code

 

General Course Policies:

 

  • Attire – There is a dress code for this course. The scene work and exercises that are a regular part of this course may require rigorous physical activity. Students are expected to wear clothing that does not inhibit or restrict their physicality or psychology. Comfortable, easy-fitting attire with close-toed shoes is required. Please, refrain from boots or heels. Lack of proper attire will be seen as a lack of preparation for class and will affect grades accordingly. Please, also be mindful of personal hygiene, as some scenes require physical interaction(s) and/or intimacy.

 

  • Emotional Labor – Theatre can engage us on a primal level, often evoking, as Aristotle words it, a purgation of emotion. Although, this course may encourage students to allow access to their emotions (in the pursuance of their scene objective), the class should not be treated as therapy or a replacement for counseling services. Students are expected to enter the classroom with the intention to work, displacing external baggage to the best of their ability in order to hone their craft. In other words, “Leave your messes outside of the class”.

 

However, life contains collective and individual hardships, such as a pandemic, family/romantic/financial problems, and various circumstantial trauma. The instructor is committed to maintaining a safe classroom space for artistic growth. If at any point a student feels uncomfortable by scene content or events in their life, the student should voice their concern(s) and the need for privacy will be immediately respected.

For further information regarding university policies regarding classroom behavior and content, please consult the brochure, “Sexual Harassment Policy and Overview of Compliance Procedure” – available from Human Resources or contact a Human Resources advisor at 536-3369 or 453-6671.

 

  • Style – All take-home written work, unless otherwise specified, must be typed, double spaced, and follow MLA style guidelines.

 

  • Cell Phones – Cell phone use in class is not permitted, including texting except at the discretion of the instructor. Please, turn them off or switch them to silent, NOT vibrate.

 

  • Eating/Drinking – Food, drink, and chewing gum are not permitted in class. Water is acceptable.

 

  • Finally – The instructor reserves the right to make reasonable changes to the syllabus, particularly to the schedule, at any time. This is in order to tailor the course to the students’ needs and to remain flexible should unforeseen circumstances arise. Significant changes will be given in writing. Any schedule changes will be announced with adequate warning, so they do not adversely affect preparation times.

 

Incompletes:

  • An INC is assigned when, for reasons beyond their control, students engaged in passing work are unable to complete all class assignments. An INC must be changed to a completed grade within a time period designated by the instructor but not to exceed one year from the close of the term in which the course was taken, or graduation, whichever occurs first. Should the student fail to complete the course within the time period designated, not to exceed one year, or graduation, whichever comes first, the incomplete will be converted to a grade of F and the grade will be computed in the student's grade point average. Students should not reregister for courses in which an INC has been assigned with the intent of changing the INC grade. Re-registration will not prevent the INC from being changed to an F.

 

Extra Credit:

  • Your instructor may offer Extra Credit opportunities. Extra Credit opportunities occur throughout the semester and will be announced as they become available.

  • Extra Credit opportunities occur throughout the semester and will be announced and posted on D2L as they become available. One regular extra credit opportunity will be attendance at online Big Muddy Shorts, short plays produced by playwriting students each month.

 

Student Athletes and other Extra-Curricular Activities- If/as activities continue/resume, please speak with your instructor immediately.

 

Communicating with Your Instructor:

 

  • There is no voicemail on the telephone in the Graduate Student Office, so email is best for communicating with your instructor. Be timely (For example, do not send an email right before class and expect your instructor to read it before class meets). Properly address your email (Dear Mr. or Ms.   ) and SIGN YOUR NAME. Write in complete sentences. Organize your thoughts.

 

 

Example E-mail:

 

Dear Mr./Ms.,

 

I am writing to you concerning a question I have about (fill in the blank). My question is (fill in the blank).

This question is (urgent, not urgent).

 

Thank you,

First-Name Last-Name

 

 

Pay attention to your instructor’s Office Hours, stated on this syllabus

 

 

Class Schedule/Weekly Breakdown:

 

WEEK #

Monday that begins the week

Material(s) to be covered

Reading

(textbook, plays, etc.)

Assignments/

Homework

 

Week #1

Jan. 10th

1. The job of the Actor/What is Acting?

2. Basic Technique

3. Given Circumstances

4. Analyzing a

    Scene/monologue

    (3 questions/As-if)

5. Monologues

6. Pick introductory

     Monologue

Sections/Chapters:

A Practical Handbook For The Actor

The job of the Actor

Technique Outline

Part One:

2. Analyzing a scene

    pg.19-40

Being along onstage

Pg. 45-47

 

READ!!! The sections and chapters from textbook listed in the “Reading” column

Start rehearsing your monologues!

Analyze your monologue using the 3-questions from your textbook (to be discussed turned in Jan. 18)

Week #2

Jan. 17th

(no class Mon. MLK Day)

1. What are objectives

     & tactics?

2. Physical Action

3. Work on monologues

     in class. Notes and

     constructive critiques

     will be given.

 

Part One:

1. Physical Action

     pg.13-18

 

Read sections and chapters listed in the “Reading” column

Rehearse you introductory Monologues

Week #3

Jan. 24th

1. What is a scene/

     Dialogue?

2. How to prepare for a

     Scene

3. What is a Beat and/or

     Beat Change (review

      pgs.23-24 in textbook)

4. Character

 

Part One:

3. The Truth of the

     Moment pg.40-47

4. Preparing for a

     Scene pg.55-58

10.The Myth of

      Character pg.74-75      

 

Read sections and chapters listed in the “Reading column”

Tues., Jan 25: Perform monologues w/script

Thur., Jan27 Perform monologues off script (if possible)

 

Week #4

Jan. 31st

1. Continue in-class

     acting techniques

     and exercises.

2. Assigning Scenes #1

    from assigned play

     (play TBD)

Some students may be assigned to work with students from Prof. Segun’s directing class. Those students will be contacted by the directing students regarding rehearsal times.

 

You and your scene partner will discuss days and times that you will rehearse your scene outside of class.

Remember to keep a journal of your rehearsals. What is it that you want to accomplish in your rehearsals? What you actually accomplished.

 

Week #5

Feb. 7th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     scenes in class. Notes

     and constructive

     critiques will be

     given.

 

Continue rehearsing your Scenes #1

 

Week #6

Feb. 14th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     scenes in class. Notes

     and constructive

     critiques will be

     given.

 

Continue rehearsing your Scenes #1

 

Week #7

Feb. 21st

Big Muddy New Play Festival’s production of The Curious Case of Agatha Christie by Lavinia Roberts

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     scenes in class. Notes

     and constructive

     critiques will be

     given.

3. Go over terms for

     midterm (midterm will

     be located & completed

     on D2L)

 

Continue rehearsing your Scenes #1

Written critique of this production’s acting/performance due before the following Tuesday class Mar. 1st

 

Week #8

Feb. 28th (midterm)

1. Perform your Scenes

     #1 in class (15 pts.)

2. Complete the written

     midterm on D2L

     (10 pts.)

 

HAVE A GREAT

SPRING BREAK!!!

Week #9

Spring Break (no class Mar. 5-13)

 

Week #10

Mar. 14th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss Scene #1

     performances.

3. Pick out Scenes #2

    And assign scene

    partners

 

Analyze your Scenes #2 using the 3-questions from your textbook (to be discussed and turned in Tues. Mar. 22)

Schedule and begin rehearsing your Scenes #2 with scene partner

 

Week #11

Mar. 21st

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     scenes in class. Notes

     and constructive

     critiques will be

     given.

 

 

Schedule and begin rehearsing your Scenes #2 with scene partner

 

Week #12

Mar. 28th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     scenes in class. Notes

     and constructive

     critiques will be

     given.

3. Perform Scenes #2 in

    Class (graded 15 pts.)

 

 

Schedule and begin rehearsing your Scenes #2 with scene partner

 

Week #13

Apr. 4th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss Acting

     Auditions

3. Pick out Audition

    Monologues to be

    used for the FINAL

 

Begin rehearing your Audition monologues

 

Week #14

Apr. 11th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     Audition Monologues

 

Continue rehearsing your Audition Monologues

 

Week #15

Apr. 18th

SIU School of Theater & Dance’s production of Lucky Stiff by Ahrens & Flaherty

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     Audition Monologues

 

Continue rehearsing your Audition Monologues

Written critique of this production’s acting/performance due before the following Tuesday class Apr. 26

 

Week #16

Apr. 25th

1. Continue in-class

     acting techniques

     and exercises

2. Discuss and work on

     Audition Monologues

 

Continue rehearsing your Audition Monologues

Complete Audition Paperwork to be turned in during Finals week

 

Finals Week

May 2nd

1. Perform your Final

    Audition Monologues

2. Turn in your Final

    Audition Paperwork

 

YOU DID IT!!! YOU ARE AN ACTOR!!!

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